We divided the shots up equally between us so we all had involvement in the production of our trailer. To begin with Sam Warren filmed at shot of Shaun getting out of bed, which took some time to position due to the orientation of the room and height of the bed. It was also important to get his facial expression in shot, to show how he is feeling having just woken up to a life he dislikes. To go along with the conventions of British Film Dramas we closed the blinds to create a low key lit shot. These two shots took only a few minutes to film, with minimal difficulty.
After filming these two shot we moved onto the shot of Shaun snorting cocaine or the implied shot of this act. To simulate cocaine we used flour and a met ticket to divide and make lines. To make this shot appear darker we placed a curtain over the window, to help give off a gloomy and depressing vibe. We had a few problems filming this scene trying to make it look as realistic as possible without Tom having to actually snort flour. It took 3 tries but in the end we got it looking as close to the real thing as possible. This was filmed by James Scott, along with a point of view shot from Shaun's perspective, looking at a photo of his mum and dad. To show how Shaun feels about his father he covers up his dads face with his thumb. To end this shot there is a tilt towards the ceiling, which will move into a transition.
The last shot we filmed in the house was a shot of Shaun walking past his dad, who's sat drinking on the couch. I had to retake this shot a couple of times to get Toms body in the shot and the hand gripping the alcohol in a particular way. I also filmed a shot outdoors where the main character is being followed by another teenager with a knife behind his back. We recruited a friend who lived nearby to play the knife wielding teen in this shot.
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